TrueResAudio

Music writer, Pawel Grabowski

why I write

People often ask me why I write about music.

My answer is simple: writing allows me to celebrate the joy I feel about records since childhood.

And oh the joy it is... let me tell you.

The first record I ever bought was Iron Maiden - Live After Death.

It was 1985. I was 8. The record just came out. I had some money, mostly what I got for birthdays or the few coins my granny would put in my hand every time we visited.

I remember going to the store and buying it. Then coming home, proudly announcing my purchase.

My dad was furious. To him, I wasted all this money on nonsense. Mum seemed indifferent but I think inside, she agreed with dad. And my brother (21 at that time) tried to convince them both that metal musicians are Satanists and I should be forbidden to listen to this music.

And me? I was in my room, headphones on, immersed in the record. I listened to both LPs over and over again. I read Martin Birch's note in the insert. On the left was the original. I read it, even though I didn't understand a word. Luckily, the right flap contained translation in Polish.

And then, I marveled at all the photos. The Polish edition came with additional insert, also including shots from their tour in Poland the previous year (in itself, a completely unthinkable thing - a band like Maiden to cross the Iron Curtain! [Before you ask, no, I didn't go. They did play my hometown, but mum didn't want to take me. And I was 7 so...])

I looked at that insert so often over the years that to this day I remember where each photo is. Like that one with Bruce in the hawk mask. Or Nicko with googly eye glasses. Or that one of Bruce in the spotlight (as a kid, I always wondered how the lightning guy knew where Bruce is going to go next, since the spotlight was always right on him...)

I listened to the music almost non-stop. I still remember every note, and even every audience reaction between songs (that shout "motherf***er" at the end of "Revelations"! Part of me still thinks it's actually Nicko from behind his kit but I can't be sure.)

I still have that very copy but it's been so worn out that the sound is completely flat.

And you know what? I don't think I've changed much since then.

I still feel the same emotions buying a new record. The same joy and childlike excitement. Luckily, my wife and kids don't declare every album I bring home as satanic. Well, not to my face anyway.

I still go through every insert and try to learn as much as I can about every record I hear.

This time, however, I also share my thoughts about it through writing.

I started writing in college. Writing features, reviews, and occasional interviews for xerox magazines got me even closer to music. I wasn't just writing about it. I got to meet some of the musicians I admired, too. I became more involved in the scene.

And I never really stopped. Sometimes I wrote more, sometimes life took over. For a while, I even made writing my profession as a copywriter.

Eventually, I decided that I wanted a place where I could simply write about music the way I've always experienced it.

TrueResAudio is that place. It's where I publish my essays, impressions, reviews, recommendations, and Needle Talk, my monthly magazine about music.

Pawel

I'm super delighted to have you here.

Pawel

some facts about me

  • The first album I ever bought was Iron Maiden - Live After Death. I bought it in 1985, at the age of 8, and still have that copy. It's so worn out that the bass is gone, but it remains my most treasured possession.
  • The album that had the biggest impact on me: Nico - The Blue Angel. It's some obscure compilation of Nico's solo tracks and her three VU songs I found in my brothers collection. I was 13 when I first heard it, and at that very moment when Nico's voice comes on in Femme Fatale, I finally understood life.
  • My favourite album of all time: Nick Drake - Pink Moon
  • The album I can air drum in its entiety from memory: Metallica - …And Justice for All.
  • The album I was scared of as a kid: Syrius - Devil's Masquerade. An amazing Hungarian prog album. That sax motif in Psychomania used to scare the pants off me. It's similar to but also way scarier than 21st Century Schizoid Man. (I am not super proud of this but I nicked my brother's original Hungarian LP. I still have it, and I still didn't tell him.)
  • The first jazz album I heard was Coltrane at Birdland. I was 11 and figured that listening to jazz will make me look smart and all. Somehow I decided that this is a good album to try (my brother had it on cassette), put it on and my head exploded.
  • My favourite composer is Bruckner, and my favourite conductor is Bernard Haitink (although, I have to admit that his reading of Ravel's Bolero is, probably, the worst I ever heard.)